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Lavinia Fontana Self Portrait. This painting Self-Portrait at the Spinet also called Self-Portrait at the Keyboard was made in 1577 for Fontanas future father-in-law Severo Zappi. Lavinia Fontana born 1552 Bologna Italydied August 11 1614 Rome Italian painter of the Mannerist school and one of the most important portraitists in Bologna during the late 16th century. Fontanas fame spread to Rome where she moved in 1604. Lavinia Fontanas self-portrait from 1579 has long been of interest to me.
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Fontanas fame spread to Rome where she moved in 1604. Such qualities are reflected in Fontanas self-portrait that now hangs in the Uffizi Gallery at Florence. It belongs to Count Zappi of Imola the family into which Lavinia married. Created as a marriage portrait for her future husband and his family the picture shows Lavinia attired in an elaborate. Self-portrait- Lavinia at the clavichord Here is yet another fabulous lady in history Lavinia Fontana. Log in to USEUM to download unlimited free images send e-cards and interact with thousands of famous paintings drawings and illustrations.
Art historians and scholars who have analyzed her work note her apparent choice to depict herself modestly and as a traditional wealthy woman.
Her most famous portraits include. Self-Portrait at the Spinet 1577 Self-Portrait in a Studio 1579 Portrait of the Gozzadini Family 1584 and several Portraits of Bianca Capello. It was created by Lavinia Fontana. Art historians and scholars who have analyzed her work note her apparent choice to depict herself modestly and as a traditional wealthy woman. She sits at a virginal in a fine elegant dress with her maid servant holding a book of music. Self-portrait in Uffizi is an artwork on USEUM.
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Art historians and scholars who have analyzed her work note her apparent choice to depict herself modestly and as a traditional wealthy woman. Therein she is elegantly dressed in lace and jewels and studying archeological finds on shelves and a table likely as preparation for sketching them. Self-portrait is an artwork on USEUM. Fontanas earliest work though lost is said to be a piece titled Child of the Monkey from around 1575 but another work Holy family also takes that claim. Self Portrait in the Studiolo 1579.
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The list of requirements for a potential husband was equally long. It was created by Lavinia Fontana. For 20 years beginning in the 1580s Fontana was the portraitist of choice among Bolognese noblewomen. Assumption of the Virgin by Lavinia Fontana 1584 Palazzo Comunale Imola. It was created by Lavinia Fontana.
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Assumption of the Virgin by Lavinia Fontana 1584 Palazzo Comunale Imola. She was renowned in Italy as a portrait painter with her famous works being a Portrait of a Woman and The Gozzadini Family. Self Portrait in the Studiolo 1579. Lavinia Fontanas Self Portrait at the Keyboard of 1577. Fontana Lavinia 1552 1614 Italian painter of the late Renaissance.
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16 Fontanas picture al-though it appears to repeat Anguissolas conventions is also a. She also painted likenesses of important individuals connected with the University of. Fontana Lavinia 1552 1614 Italian painter of the late Renaissance. Assumption of the Virgin by Lavinia Fontana 1584 Palazzo Comunale Imola. It too is smallabout 108 x 96 inches in dimension.
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Her most famous portraits include. She also painted likenesses of important individuals connected with the University of Bologna. These paintings are an important addition to the collection as the earliest works of art by a named woman artist. Self-portrait- Lavinia at the clavichord Here is yet another fabulous lady in history Lavinia Fontana. Painted two years before the tondo Lavinia Fontanas musical self-portrait was also directed to a particular individualher future father-in-law Severo Zappi.
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Assumption of the Virgin by Lavinia Fontana 1584 Palazzo Comunale Imola. Fontanas innovative Self-Portrait Making Music with a Maid-servant differs considerably from the image projected by her old-er counterpart Sofonisba Anguissola c. She was one of the first women to execute large publicly commissioned figure paintings. The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana painted in 1575 and now preserved in a private Roman collection MT. Such qualities are reflected in Fontanas self-portrait that now hangs in the Uffizi Gallery at Florence.
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Her most famous portraits include. I wrote about this painting on a guest post at Three Pipe Problem a few years ago and I regularly use this self-portrait when I discuss Renaissance art with my students. Such qualities are reflected in Fontanas self-portrait that now hangs in the Uffizi Gallery at Florence. This worldly renowned artist was born in the late sixteenth century at a time where women had very little clout when it came to expressing themselves through art. 1535-1625 in her simi-larly titled self-portrait 1561.
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Art historians and scholars who have analyzed her work note her apparent choice to depict herself modestly and as a traditional wealthy woman. This worldly renowned artist was born in the late sixteenth century at a time where women had very little clout when it came to expressing themselves through art. Lavinia Fontanas Self Portrait at the Keyboard of 1577. Born in Bologna Lavinia was the daughter of Prospero Fontana a Bolognese artist who trained her in the Mannerist style. Art historians and scholars who have analyzed her work note her apparent choice to depict herself modestly and as a traditional wealthy woman.
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Lavinia Fontana 15521614 Self-Portrait at the Clavichord with a Servant 1577 oil on canvas 27 x 24 cm Rome Accademia di San Luca. From Christies Old Masters Studio of Lavinia Fontana Self-portrait at the keyboard with a maidservant Oil on metal 26 228 cm. She also painted likenesses of important individuals connected with the University of Bologna. Painted two years before the tondo Lavinia Fontanas musical self-portrait was also directed to a particular individualher future father-in-law Severo Zappi. In this fashion Fontanas Self-Portrait at Clavichord is not a simple self-portrait but a brilliant piece of advertising and self-promotion ensuring her status as a competent portraitist a clever painter and a woman worthy of respect and admiration.
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Born in Bologna Lavinia was the daughter of Prospero Fontana a Bolognese artist who trained her in the Mannerist style. Painting by Lavinia Fontana. Art historians and scholars who have analyzed her work note her apparent choice to depict herself modestly and as a traditional wealthy woman. 16 Fontanas picture al-though it appears to repeat Anguissolas conventions is also a. Lavinia Fontanas self-portrait from 1579 has long been of interest to me.
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Therein she is elegantly dressed in lace and jewels and studying archeological finds on shelves and a table likely as preparation for sketching them. Her most famous portraits include. Lavinia Fontana Portrait of a Noblewoman illustrates Lavinia Fontanas ability to render sumptuous clothing and jewels in astonishing detail. These paintings are an important addition to the collection as the earliest works of art by a named woman artist. The contrast between the woman and the paintings plain dark background is especially strong ensuring that viewers will focus on.
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Self-portrait in Uffizi is an artwork on USEUM. Created as a marriage portrait for her future husband and his family the picture shows Lavinia attired in an elaborate. Her most famous portraits include. She sits at a virginal in a fine elegant dress with her maid servant holding a book of music. Painted two years before the tondo Lavinia Fontanas musical self-portrait was also directed to a particular individualher future father-in-law Severo Zappi.
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1535-1625 in her simi-larly titled self-portrait 1561. In this fashion Fontanas Self-Portrait at Clavichord is not a simple self-portrait but a brilliant piece of advertising and self-promotion ensuring her status as a competent portraitist a clever painter and a woman worthy of respect and admiration. Her most famous portraits include. Lavinia Fontanas self-portrait from 1579 has long been of interest to me. Self-portrait in Uffizi is an artwork on USEUM.
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The influence of Correggio and Parmigianino were most prevalent in her religious subjects but her portrait work took on a Mannerist style of the Florentines Kren and Marx Web Gallery of Art. For 20 years beginning in the 1580s Fontana was the portraitist of choice among Bolognese noblewomen. The Self-Portrait at the Clavichord with a Servant is considered to be her masterpiece. 151297 a minor painter of the school. Her self-portrait in youth she was said to have been very beautiful was perhaps her masterpiece.
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Painting by Lavinia Fontana Museum. Self-portrait- Lavinia at the clavichord Here is yet another fabulous lady in history Lavinia Fontana. I wrote about this painting on a guest post at Three Pipe Problem a few years ago and I regularly use this self-portrait when I discuss Renaissance art with my students. Self-portrait in Uffizi is an artwork on USEUM. It was painted as a betrothal gift to the Zappi family as evidenced by Fontana describing herself as a virgin in the signature and stating that she painted while looking at herself in a mirror as a testament to the accuracy of the depiction.
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Log in to USEUM to download unlimited free images send e-cards and interact with thousands of famous paintings drawings and illustrations. Fontana Lavinia 1552 1614 Italian painter of the late Renaissance. Therein she is elegantly dressed in lace and jewels and studying archeological finds on shelves and a table likely as preparation for sketching them. She was renowned in Italy as a portrait painter with her famous works being a Portrait of a Woman and The Gozzadini Family. It was painted as a betrothal gift to the Zappi family as evidenced by Fontana describing herself as a virgin in the signature and stating that she painted while looking at herself in a mirror as a testament to the accuracy of the depiction.
Source: cz.pinterest.com
For 20 years beginning in the 1580s Fontana was the portraitist of choice among Bolognese noblewomen. It belongs to Count Zappi of Imola the family into which Lavinia married. Her self-portrait in youth she was said to have been very beautiful was perhaps her masterpiece. It was painted as a betrothal gift to the Zappi family as evidenced by Fontana describing herself as a virgin in the signature and stating that she painted while looking at herself in a mirror as a testament to the accuracy of the depiction. Such qualities are reflected in Fontanas self-portrait that now hangs in the Uffizi Gallery at Florence.
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She also painted likenesses of important individuals connected with the University of Bologna. Fontana studied with her father Prospero Fontana c. Assumption of the Virgin by Lavinia Fontana 1584 Palazzo Comunale Imola. Fontanas innovative Self-Portrait Making Music with a Maid-servant differs considerably from the image projected by her old-er counterpart Sofonisba Anguissola c. He must be of good moral repute and high social standing willing to marry an artisan content to live in his father-in-laws house and prepared to accept his future.
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