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Self Portrait Robert Mapplethorpe. Partial purchase with funds provided by the J. Gelatin silver print. Paul Getty Trust and. In 1989 a.
Robert Mapplethorpe Selfportrait 1988 Robert Mapplethorpe Portrait Self Portrait From ar.pinterest.com
Gelatin silver print. Ad Original art from top artists and galleries. Donning a boyishly playful smile with an arm outstretched across the background wall his body remains mostly out of frame. Partial purchase with funds provided by the J. In particular with use of the polaroid the artist refers to the application and first experiments. Mapplethorpe poses in a dark leather coat and gloves clutching a submachine gun which he points slightly upwards to his left.
His self-portraits engage viewers with satirical commentariessuch as when he.
In October 2017 an auction record was set for a Mapplethorpe as his Self-Portrait 1988 sold for. He was concerned with Classical aspects of beauty whether in his nudes floral still lifes or self-portraitslight shadow composition and form were central to all his work. 33 78 x 23 38 861 x 594 cm. November 4 1946 March 9 1989 was an American photographer best known for his black-and-white photographsHis work featured an array of subjects including celebrity portraits male and female nudes self-portraits and still-life imagesHis most controversial works documented and examined the gay male BDSM. Untitled Three Flowers In A Vase Babys Breath. Partial gift of The Robert Mapplethorpe Foundation.
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Include records without images. Despite his illness the artists stare is forceful and unflinching. I once asked Mapplethorpe what he does with himself when he poses for the camera and he replied that he tries to find that part of himself that is self-confdent Susan Sontag With his 1950s hairdo the dark leather jacket and a cigarette in the corner of his mouth Mapplethorpe portrays himself as the quintessential rebel from a bygone era. 508 406 cm. Ad Original art from top artists and galleries.
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Jointly acquired by the J. Paul Getty Trust and. In general self-portrait goes in parallel with identity of the artist his internal desire to conduct different experiments with numerous techniques. This powerful close-up of his eyes was taken only a few months before his death at the age of 42 from AIDS-related complications. 587 483 cm 23 18 19 in.
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Looking at self-portrait of Robert Mapplethorpe one may agree that it has mentioned elements. LOS ANGELES In a midcareer self-portrait Robert Mapplethorpe depicted himself as a devil with a bullwhip for a tail. Paul Getty Trust and the Los Angeles County Museum of Art. 20 16 in. New York New York United States.
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I once asked Mapplethorpe what he does with himself when he poses for the camera and he replied that he tries to find that part of himself that is self-confdent Susan Sontag With his 1950s hairdo the dark leather jacket and a cigarette in the corner of his mouth Mapplethorpe portrays himself as the quintessential rebel from a bygone era. This powerful close-up of his eyes was taken only a few months before his death at the age of 42 from AIDS-related complications. In this black and white self-portrait the photographer Robert Mapplethorpes head which faces the camera directly is positioned near the top right-hand corner of the image while in the opposite corner his right hand grips a cane topped with a small human skull. Browse upcoming and past auction lots by Robert Mapplethorpe. Robert Mapplethorpe American 1946 - 1989.
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353 355 cm 13 78 14 in. Vintage gelatin silver print mounted to museum board. I once asked Mapplethorpe what he does with himself when he poses for the camera and he replied that he tries to find that part of himself that is self-confdent Susan Sontag With his 1950s hairdo the dark leather jacket and a cigarette in the corner of his mouth Mapplethorpe portrays himself as the quintessential rebel from a bygone era. Robert Mapplethorpe American 1946 - 1989. Gift of The Robert Mapplethorpe Foundation to the J.
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Donning a boyishly playful smile with an arm outstretched across the background wall his body remains mostly out of frame. Self-portrait 1985 This self-portrait is a study of motion a prescient and tragic reminder of Mapplethorpes own vulnerability. 508 406 cm. Jointly acquired by the J. Looking at self-portrait of Robert Mapplethorpe one may agree that it has mentioned elements.
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Donning a boyishly playful smile with an arm outstretched across the background wall his body remains mostly out of frame. But he ended up on the side of the angels. Shop the most beautiful things on earth. Browse upcoming and past auction lots by Robert Mapplethorpe. This powerful close-up of his eyes was taken only a few months before his death at the age of 42 from AIDS-related complications.
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Despite his illness the artists stare is forceful and unflinching. In this black and white self-portrait the photographer Robert Mapplethorpes head which faces the camera directly is positioned near the top right-hand corner of the image while in the opposite corner his right hand grips a cane topped with a small human skull. Looking at self-portrait of Robert Mapplethorpe one may agree that it has mentioned elements. Shop the most beautiful things on earth. But he ended up on the side of the angels.
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This powerful close-up of his eyes was taken only a few months before his death at the age of 42 from AIDS-related complications. This powerful close-up of his eyes was taken only a few months before his death at the age of 42 from AIDS-related complications. Gelatin silver print. Mapplethorpe poses in a dark leather coat and gloves clutching a submachine gun which he points slightly upwards to his left. This image makes me think of him dying I think this is because when I first looked at this photo my eyes were draw to the skeleton in his hand.
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Paul Getty Trust and. 33 78 x 23 38 861 x 594 cm. New York New York United States. Gift of The Robert Mapplethorpe Foundation to the J. Gelatin silver print.
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In this black and white self-portrait Robert Mapplethorpe stands in front of one of his constructions Black Star 1983 which consists of a black-painted frame in the shape of a five-pointed star or pentagram. New York New York United States. Robert Mapplethorpe American 1946 - 1989. But he ended up on the side of the angels. Ad Free Shipping Available.
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Self-portrait 1985 This self-portrait is a study of motion a prescient and tragic reminder of Mapplethorpes own vulnerability. Despite his illness the artists stare is forceful and unflinching. In general self-portrait goes in parallel with identity of the artist his internal desire to conduct different experiments with numerous techniques. 508 406 cm. Self-Portrait 1972 Not on view.
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March 31 2016. Despite his illness the artists stare is forceful and unflinching. 587 483 cm 23 18 19 in. Robert Mapplethorpe Portfolio of Self Portraits. LOS ANGELES In a midcareer self-portrait Robert Mapplethorpe depicted himself as a devil with a bullwhip for a tail.
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In 1989 a. New York New York United States. Robert Mapplethorpe was an American photographer known for his black-and-white portraits and for documenting New Yorks SM scene. Many of Mapplethorpes self-portraits have a suggestive flare highlighting his role in the New York art scene queer community and BDSM subculture. In 1989 a.
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Robert Mapplethorpe Portfolio of Self Portraits. Browse upcoming and past auction lots by Robert Mapplethorpe. Robert Michael Mapplethorpe ˈ m eɪ p əl ˌ θ ɔːr p. 33 78 x 23 38 861 x 594 cm. Self Portrait with Whip 1978.
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587 483 cm 23 18 19 in. Despite his illness the artists stare is forceful and unflinching. Self-Portrait 1972 Not on view. This work is part of a limited edition set. Gelatin silver print.
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Looking at self-portrait of Robert Mapplethorpe one may agree that it has mentioned elements. In particular with use of the polaroid the artist refers to the application and first experiments. 35 316 x 27 12 894 x 698 cm Publisher Robert Mapplethorpe Edition 40 Credit Gift of John Loring Object number 4311990. I once asked Mapplethorpe what he does with himself when he poses for the camera and he replied that he tries to find that part of himself that is self-confdent Susan Sontag With his 1950s hairdo the dark leather jacket and a cigarette in the corner of his mouth Mapplethorpe portrays himself as the quintessential rebel from a bygone era. Gelatin silver print.
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Robert Michael Mapplethorpe ˈ m eɪ p əl ˌ θ ɔːr p. Robert Mapplethorpe American 1946 - 1989. He was concerned with Classical aspects of beauty whether in his nudes floral still lifes or self-portraitslight shadow composition and form were central to all his work. In this black and white self-portrait the photographer Robert Mapplethorpes head which faces the camera directly is positioned near the top right-hand corner of the image while in the opposite corner his right hand grips a cane topped with a small human skull. Mapplethorpe poses in a dark leather coat and gloves clutching a submachine gun which he points slightly upwards to his left.
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